33/16

El AlegatoWritten by Camille (as C

Tale

Emilia Pérez follows four remarkable women in Mexico, each in pursuit of their own happiness. Cartel boss Emilia hires underrated lawyer Rita to help her fake her death so she can finally live authentically as her true self. Karla Sofía Gascón talks about the two years of preparation it took for this demanding role in Jacques Audiard's film, and the two extremes of her own personality she had to embody as Emilia and Manitas. Official French submission for the Best International Feature Film category at the 97th Academy Awards in 2025. A French title card misspells the Indian city as "Delhi." Featured in Latino Slant: The La Bamba Remake, Tarantino Has a BIG Mouth, Jenna & Selena's CHILI Shocks! (2024).

Is this a film about transition?

Dalmais), Clément Ducol, and Jacques AudiardPlayed by Zoe Saldana. Emilia Pérez left me more disappointed than inspired. On paper, the premise—a cartel leader transitioning to a new identity in a violent, hyper-masculine world—holds immense potential. Unfortunately, the film’s execution fails to deliver on that promise. Its lack of focus and disjointed narrative leave too much to be desired, making it a frustrating experience. One of my biggest issues is how the story tries to explore too many themes without committing to any of them.

The film does have its strengths

At times, yes, but it only scratches the surface. Instead of delving into the emotional and physical complexities of transition, especially from such a unique position of power and violence, the film pivots in unrelated directions, becoming a kidnapping story, a love triangle, a commentary on Mexican struggles, and more. These shifts made the film feel aimless, as if it was afraid to commit to the depth that the main premise demanded. The musical numbers are surprisingly engaging and, for me, the one element that consistently worked. While I’m not the biggest fan of musicals, I found myself enjoying these moments, especially the ones centered around Emilia herself. There’s an emotional resonance when the character sings that the rest of the film fails to capture.

Visually, Emilia Pérez also impressed me in places

The creative use of lighting and shadows, especially in intense scenes, stood out. It struck me as a clever way to evoke tension and emotion without relying on expensive effects. For example, a car crash scene managed to convey chaos without showing every detail, which I thought was a smart and effective choice. However, these positives don’t make up for the film’s incoherence. The lack of focus made it difficult to connect with the characters or their struggles. By the end of the film, I wasn’t left with any strong emotions or questions, just a sense of disappointment for what could have been.

This is a film that tries to do too much and ends up doing too little

Overall, while Emilia Pérez has a few standout moments, her inability to fully commit to her main premise left me feeling unsatisfied. No need to waste time scrolling endlessly: here’s the full lineup of new movies and TV shows streaming on Netflix this month. https://irshadnaeempapermills.com/2024/11/11/igra-prijestolja-2011-2019-hdrip-x265-new-episode-download-torrent/